What a Photograph Leaves Unsaid
I share how framing, interpretation, and titles shape a photograph while leaving room for your own response.
I share how framing, interpretation, and titles shape a photograph while leaving room for your own response.
Choosing art for your home starts with one question: do you love the photograph? I share how I think about connection, scale, framing, light, and finding a piece you’ll enjoy living with.
Low tide can make a familiar beach feel like a different landscape. I reflect on how exposed sand, shallow water, creeks, reflections, and changing tides shape the way I photograph the Washington coast in black and white.
A Pacific Northwest forest can feel peaceful in person and chaotic through a camera. I reflect on how fog, soft light, shadows, and careful framing help me find simplicity within the complexity.
Rain changes more than the surface of a landscape. Through three older black-and-white photographs, I reflect on how fog, water, and moisture change the way I see the Pacific Northwest.
Two of my black-and-white landscape photographs were selected for Natural Harmony at LightBox Photographic Gallery in Astoria, Oregon.
After spending an evening and morning exploring Corral Pass, Washington, I came home with the beginnings of a black-and-white photography project. The Forest That Remains follows my experience of moving through a landscape shaped by the 2017 Norse Peak Fire.
Returning to familiar regions doesn’t mean making the same photographs. I reflect on how exploring familiar parts of the Pacific Northwest continues to reveal new landscapes, smaller scenes, and unexpected photographs.
While exploring an unnamed creek on the Olympic Peninsula, I worked from the larger landscape toward the movement of water and rock that became Heart of the Cascade.