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Quiet Start to the New Year 

On New Year’s Day, I don’t make a point of chasing resolutions or dramatic changes. I prefer to start the year quietly, paying attention to what’s already here. The landscape doesn’t know it’s a holiday. That’s part of the appeal.

The air is usually cold and damp. Sometimes there’s fog. Sometimes a break in the clouds. I might walk a shoreline or a quiet path, camera in hand, but I don’t go out with a shot list or a plan. I look for what the day has to offer. Soft transitions in light, the way water moves around old pilings, the patterns left by wind or tide. I notice how quiet it is, especially early, before most people are out.

I don’t photograph every year’s first morning, but when I do, I’m drawn to the same things that keep drawing me back to black-and-white. Texture, shape, and the place’s mood. The absence of color lets me focus on the essentials. I’m not trying to capture a perfect scene. I’m trying to see what’s actually there and to make something honest from it.

For me, the start of a new year isn’t about big declarations. It’s about showing up, paying attention, and letting the landscape set the pace. I find a kind of hope in that. Quiet, steady, and patient. It’s the same approach I bring to my photography all year long.

Q. Do you have a New Year’s Day tradition?

A. Not really. I keep it simple. Usually a walk, sometimes a few photographs, always a bit of time to notice what’s around me.

Q. Why black-and-white for winter?

A. Winter light in the Pacific Northwest is subtle. Black-and-white helps me focus on the mood and the details that matter most to me.

Q. Are your prints available now?

A. Yes. Every photograph is professionally printed in the USA and made to order. I want my work to be something people live with, not just collect.

If you have questions about my process or want to see more of my work, feel free to contact me. Wishing you a calm and steady start to the year.

Further Explorations:

Happy New Year’s Eve: Reflecting on the Past, Embracing the Future

That Wall’s Giving You the Side-Eye, Isn’t It?

Rock, Snow and Limb, Mount Rainier National Park, Washington

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